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Tenkara Updates From Japan

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Amago: A little photo manipulation art that I did based on one of Daniel's photos

Tenkara USA founder Daniel W. Galhardo has been in Japan visiting with various Tenkara fishers there and studying tenkara, and well…fishing. He has been updating the Tenkara USA blog with dispatches from Japan, very interesting stuff. Based on his photos, there is some beautiful mountain scenery and lovely mountain streams in Japan. I wish I was there. So to take a little Japanese excursion of the mind – go check it out.

Peacock Sakasa Kebari Fly Art

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Just doing a little messin’ around with the photo editor – thought I’d share this Peacock Sakasa Kebari.

Trout Art: Steampunk Trout Submarine

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For some reason I had the urge to sketch up a Steampunk Trout Submarine, go figure…

If your’e interested in buying prints drop me a line using the “contact me” page up above.

Landscape Paintings by Sharon Lynn Williams

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Old Man: watercolor by Sharon Lynn Williams

Trout live in many places  – western wilderness, mid-western coulee country, limestone rich valleys of central Pennsylvania, the old mountains of the east.   Though different, all of these places have their own charm.  The landscapes through which trout streams run evoke deep-rooted feelings in me.  For many fly fishers it is simply being in the environs  of trout water that holds much of the appeal.   So although the landscapes of Calgary based painter, Sharon Lynn Williams, are not technically “fly-fishing art”, they can captivate the mind of the fly fisher with their inherent “troutiness”.

Opabin's Glory: oil painting by Sharon Lynn Williams

I stumbled upon Sharon’s Art Blog a while back, and was taken with her landscapes. They just look like somewhere that I want to be – ideally with fly rod in hand and some rising trout. She was kind enough to allow me to share some images with you all – so head on over to her Almost Daily Art Blog and check out more of her work.

Fire Sky at Ghost Lake: Oil painting by Sharon Lynn Williams

Chaos, Fly Fishing, Art

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I’ve come to realize that fly fishing (and fly tying) for me is largely a matter of trying to salvage some semblance of order from a chaotic world. This “order” may be an illusion, but it is a practical magic that has an effect on the real world. Art is much the same for me – I try to mine the chaotic noise of my brain and allow some type of form to emerge from the tumult. This struggle to dominate chaos may ultimately be futile, as the laws of thermodynamics tell us, but to steal a line from John Lennon: “Whatever gets you through the night ‘salright, ‘salright”. Fly fishing and artistic expression help me make it through the night and that’s alright.

My Ideal Fly Fishing Magazine

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After yet another less than fulfilling experience with a major Fly Fishing periodical I find myself pondering the question of “What is the problem with Fly Fishing magazines?”

For the answer to this question maybe I should first take a look in the mirror.  Is there something in me that’s the problem? Have I changed? Am I not bringing enough to the relationship?  As silly as these questions sound, there is something to them, I believe.

When my relationship to fly fishing and the associated media was young, I was a voracious consumer. I read every “how-to” article that I could find, I wanted to try every new fly that was published, experiment with every new fly tying material.

But after a while my relationship with fly fishing has settled into a comfortable place, like the worn spots on the fretboard of my guitar for the chords of G, C and D.  I’ve sorted through the opinions and techniques and flies and I’ve settled on my canon.  Sometimes flies have entered the canon because of efficacy, sometimes because of sentimentality or stubbornness – a mix of reason and emotion really. I know what I like and I know what works for me – am I an expert that has reached the pinnacle of fly fishing? No, of course not (far from it), but I’m happy.  As a result of this process,  much of the offerings in the fly fishing mags, just aren’t that inspiring to me at this stage of the game.

But, I keep picking these magazines up, so I must be looking for something.  What is it I hope to find?  In a world, where I was the editor of a major fly fishing magazine, what would  I publish? Well that’s a tricky question with too many considerations, too much pandering to the masses.  Very probably,  my ideal fly fishing magazine would not be very marketable to a huge audience – so if commercial success was not a concern what would my ideal fly fishing magazine contain?

Here’s what I’d put in My Ideal Fly Fishing Magazine:

1) Pictures of realistic fish: I don’t know about you, but I don’t always catch hogs.  It may be hard for you to believe, but it’s true.  All those glossy pictures of ginormous trout with kyped jaws, sagging bellies, and spots the size of quarters just create too much performance anxiety and feelings of inadequacy.  Let’s have pictures of real fish.

2) Serialized Features: I’m thinking about things like “The History of the Dry Fly” or “Classic Wet Fly Tying and Fishing” or “Fly Fishing Literature: A Survey Through the Ages”.  And these would not just be single articles, but they would be serialized for 3 or 4 issues, so that the subject could really be investigated in depth.

3) Regional Monthly Hatch Charts: Not much to explain here, but each issue would contain detailed hatch charts for the major rivers in each region of the country.  This would be especially helpful to the traveling angler.  Sure you can get this stuff online, but it would be nice to have it in a magazine.  I don’t know about you, but I always get so distracted online.  I  go to the computer to find the current hatches for the Frying Pan River and end up reading recipes for Tomato Ricotta Tart.   With the help of local fly shops this should be pretty easy to implement.  It could be free advertising for the shops and free content for the magazine, a win-win.

4) Good Fly Fishing Related Fiction: The Magazine would contain awesome fly fishing related fiction.  I’m not sure where it would come from, but it has to be out there somewhere.  Again this would be serialized over several issues so that the magazine could present nice long pieces.

5) Destination Articles: Destination pieces are some of my favorites these days – it’s information that I can use.  There would be at least four destination articles per issue.  Even if I don’t plan go to one of the destinations featured, I feel like I could go, which is sometimes sufficient.  But, there would never ever be articles about fishing for freshwater Dorado in South America – because I will never ever do that, ever. Never.

6) Fly Fishing Poetry: Because in the late hours of the night, when I can’t sleep, I sometimes imagine that I am a poet, and there aren’t many outlets for fly fishing poetry.

7) More Artwork: I would include more illustrations to accompany articles and less photography than the typical mag.  I’ve got no problem with photography – but I love a nice pen and ink, watercolor, oil, acrylic, mixed media, artsy photo, etc.  In an age when digital photography has made everyone a photographer (though we’re not all as good as we think) – I’d like to take it back to a simpler time.   I want to see the hand of a creator in the visuals.  I’d like to see more expression and less pure representation.

8 ) More Variety and More Experimentation: Let’s have more articles by more people, more types of articles, narratives, essays, etc.   I don’t need perfection from the writers – just some more variety.   Sometimes I think that by focusing on perfection the magazines publish mediocrity.  You don’t get great by just being really good at average things.  You need to take chances, you need to shoot for the impossible. Maybe you fail horribly and gloriously from time to time, but sometimes you get greatness, or at least something out of the ordinary.   At the very least, by publishing more variety – you avoid boring predictability.  Maybe, in this climate, the magazines feel threatened and so they’ve retreated to what feels safe – I feel this is a huge mistake.

9) Almost forgot…real reviews: I want actual gear, book, DVD, etc. reviews.  I don’t just want to be made aware of new products, but I want honest to goodness critical reviews of media and comparative tests and reviews of equipment.

Well, those are some of my thoughts on what I’d like to see in My Ideal Fly Fishing Magazine.  Are these things present in some of the magazines out there? Surely.  One magazine is better at this – one is better at that, but I have trouble finding one that is everything together.  Maybe what I want is a Fanzine for Fly Fishing – something that is a bit amateurish, but infectiously enthusiastic.

What are your thoughts?

Daily Fly Fishing Poem #25: Everything Has Its Season

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Fall Stream by Anthony Naples

Daily Fly Fishing Poem #25: Everything Has Its Season

Born in late winter and populated with
fingers of trees still naked and grasping for the dull tin pie plate
that passes for the sun in that cold country, the season begins.
It begins with fly boxes fattened with
speculation, cabin fever and hope,
books with folded corners,
maps torn with folding and re-folding,
the click of a reel in the basement.
And then somehow the season ends
with a last trip, a last fish.
And with fly boxes thin and gaunt and
in need of filling.